Music video directors undoubtedly hold a very important
role in music video production, but they arguably have a bigger role when it
comes to more artistic alternative music videos.
These videos tend to have a reaction very different to
mainstream ones due to how different they can be, and the audience they reach
out to.
A main difference between a mainstream
video and an alternative one is that the director's personal life can be
reflected in the video.
Chris
Cunningham is a British video Artist/ Director.
As a video artist his music videos are
viewed as very strange, and concept based. An example of this is shown in the
music video Bjork – ‘all is full of love’.
In this music video the visuals that we
see are all of a robot being manufactured but this is what is singing the
lyrics. This music video is very much concept based as there is not many other
music videos that include robots that are so technologically developed that
they are almost human like. The music video is also made as an art form to
invoke different feelings from different people unlike a regular mainstream
video that is there to create a connection between the artist and audience.
This video is also an example on how the
directors’ life gets reflected in a video since in an interview Chris stated
that his inspiration came from his childhood love of robots and machinery.
Another example of Cunningham’s work is Aphex
Twin – ‘Come to Daddy’.
This music video creates a creepy
feeling by not revealing a face with a definitive emotion so the audience cannot
make an emotional connection with the things in the song. This is very
different to what music videos in the mainstream would try to do since the
intention is very different hence why it's an alternative music video. This
'dark and disturbing' video only makes a visual link to the lyrics when the
people are seen moving towards the screen to the lyrics 'come to daddy'.
Chris Cunningham's work in general is not set to a specific style, but his videos are usually viewed as weird to the public (most likely because a good number of Goodwin’s theories do not apply to the videos). His approach to music videos would not be very effective in pleasing or even attracting my target audience. The lack of performance, attractive visuals, and close ups that identify the artist would not be conventional in an everyday Pop/rock music and the visuals seen in these alternative music videos would perhaps not be enjoyed by my target audience.
Chris Cunningham's work in general is not set to a specific style, but his videos are usually viewed as weird to the public (most likely because a good number of Goodwin’s theories do not apply to the videos). His approach to music videos would not be very effective in pleasing or even attracting my target audience. The lack of performance, attractive visuals, and close ups that identify the artist would not be conventional in an everyday Pop/rock music and the visuals seen in these alternative music videos would perhaps not be enjoyed by my target audience.
Michel
Gondry is a French film director, screenwriter, and producer. He is noted for
his inventive visual style and manipulation of mise en scene.
Creator of the famous around the world
by Daft Punk video Michel Gondry is known for using innovative performances to
create impressive concept based videos.
Daft Punk – ‘Around the World’.
Chemical Brothers- ‘Let forever be’.
The two music videos by Michel Gondry
use an impressive combination of props, costume, and choreography to create
visually stunning effects. Even though the videos are not conventional to Pop/rock
music videos, due to the lack of artist identification, it is not too
unconventional that we would never view these types of visuals in music videos simply
due to the impressive use of mise-en-scene. Both of these artist within the
time that these music videos were released we quite popular and well known so
for them to come out and have music videos like these was a high risk as it may
off put some of their audience because of their weird use of camera shots and
mise en scene. However, as McCracken states ‘people
change with age and become part of different cultures’ I find applies well to
today’s society because as we grow up we form different friendship groups and
interests which highly influence what music we listen to and what types of
music videos we like to watch.
In terms of Dyer’s star theory in which
he believes that icons and celebrities are manufactured by institutions for financial
gain. He states “A star is an image, not a real person, which is constructed
out of a range of materials (media)”. This links with alternative music videos
because the directors and artists are taking huge risks by deciding to make a
concept based alternative music video because they may not be able to reach out
to all of their target audience if they experiment with different styles of
music video. As a result they may lose some of their audience by taking a risk
with this style of music videos.


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